Concept & Realisation Website
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Raphael Schenker & Daniel Vuilleumier

Text & Wording
Pablo Assandri & Gesa Schneider, Literaturhaus Zurich
Kornel Ringli, Foundation PWG

Credits Photography
Katja Loesonen (Olli Jalonen)
Volker Derlath (Kiran Nagarkar)
Gürcan Öztürk (Aslı Erdoğan)
Enzo Maqueira (Ángela Pradelli)
Goranka Matić (Sreten Ugričić)
ZVg (Girgis Shoukry)
ZVg (Noémi Kiss)
ZVg (Teju Cole)
Unionsverlag (Tamta Melaschwili)
Philippe Ciompi (Xiaolu Guo)
Renata Dąbrowska (Tadeusz Dąbrowski)
Patrice Normand (Shumona Sinha)
ZVg (Viktor Martinowitsch)
ZVg (Ken Bugul)
Vito Rivelli (Hernán Ronsino)
ZVg (Bae Suah)
Dafinka Stoilova (Georgi Gospodinov)
Portia Ameyalli (Aura Xilonen)
Nina Subin (Maaza Mengiste)
Paris Tavitian (Christos Chryssopoulos)
Radmila Vankoska (Lana Bastašić)
Johann Pall (Sjón)
ZVg (Djaimilia Pereira de Almeida)

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The contents of this website are for informational purposes and are not legally binding. The copyright of the texts basically remains with the authors. Use or reproduction is therefore not permitted without their express written consent.

Copyright
©2022 Stiftung PWG

writers in residence
In Residence
Zurich, Switzerland
February — June 2022

Djaimilia Pereira de Almeida

Portugal/Angola

Author

Djaimilia Pereira de Almeida was born in 1982 in Luanda, Angola, and grew up in Lisbon, Portugal, where she now lives and works. She has written a dissertation on literary theory, published seven novels and three collections of essays, and writes regular columns for Portuguese and Brazilian newspapers. She is also an advisor to Portugal’s President Marcelo Rebelo de Sousa on human rights, equal opportunities and non-discrimination. Her sixth novel “A Visão das Plantas” (Relógio D'Água, Lisboa 2019) will be published under the title “Im Auge der Pflanzen” (In the Eye of the Plants) on 14 February 2022 in German translation by Unionsverlag.

A Short Passage

“Im Auge der Pflanzen”

“God lets the insensitive ones go, ready to trip up the happy ones, just to get rid of the boredom. Despite all capers, their high spirits are deathly dull. Perhaps he is not in control of his gardening troupe. From above, he watches it sitting next to the devil. Like ants scattered from their heap, they move along, rake in hand, driven forward by hunger, by thirst, by lust, foaming at the mouth.”

— From “Im Auge der Pflanzen” (In the Eye of the Plants) (Zurich, Unionsverlag 2022)